Thursday, September 27, 2007

Washington DC Fashion Freedom Rally @ Federal Plaza - September 24th 2007



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All writings here are copyrighted by Antonio Goicochea. You may not use them without written permission but you may link to the posts or give out a link to the posts.

All Photographs here are copyrighted by An Van De Wal. You may not use them without written permission but you may link to the posts or give out a link to the posts.
Please visit An Van De Wal's website at www.lumierephotography.net

If you enjoy the articles on this blog check out
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Sunday, September 16, 2007

Apollo Braun @ Bryant Park for New York Fashion Week

Around the edges of Bryant Park it was coffee,
newspapers and lovers as usual, but as one approached
the bulky white pavilion in the center, abnormality
and intensity of atmosphere were making themselves
obvious. One started to notice models who looked like
they just stepped off the pages of Vogue right on to
the dirty grass, followed by photographers of all ages
and bursts of flashes. People with cellphones and busy
vibes were pacing nervously around people who were
standing in the middle of nowhere with their mouths
open. Approaching the entrance gate, one actually had
to pass through different layers of crowd: the outer
layer of passer-by tourists, the second layer of
people spreading advertising materials and propagating
messages of social importance, the layer of
photographers and the best dressed, and the thinnest
layer composed of those who looked like they were likely
to go inside.






On both sides of this human spectacle, there were tall
beautiful men standing upright and "on guard," but it
was a very surreal and off-the-wall New York kind of
guard indeed. Dressed in cut up pink T-shirts
populated by safety pins and see-through skirts, red
gause and duck-taped shoes, and paints of primary
colors all over their bare skin, this was the guard of
Apollo Braun, artist, designer and poet from the Lower
East Side. The name of their spiritual leader, which
is also the name of his hip independent design
boutique on Orchard St., was written across their
belts. Apollo himself, dressed in the same uniform of
his own design, was one of the men present.
"Originally we wanted to stay all together," Apollo
said, "but the police separated us. Yet, we are still
here to assert our right to be here." Police, without
knowing it, made possible an even better presentation,
visible from every side of the entrance.





Every Apollo pink T-shirt was pinned and cut in a
unique way, but had the same inscription across the
chest; "Who killed Anna Wintour ?" "I hate Anna
Wintour,"Apollo said, "She does not accept
up-and-coming designers. She is the death sentence of
everything avant-garde in design. I don't want to be
in Vogue. Vogue is the enemy, remember it when I will
be there.
I think the whole show thing is ridiculous. We are
here to show how important it is to express yourself
and be who you are!"








Apollo also added that Anna Wintour puts fur into
Vogue, "and I am a Vegetarian." There was another
group of young women dressed like sexy fur police, in
everything black and not animal produced, who shared
Apollo's views.





One of the models, Michael Davis, elaborated further
on their common strong presence in front of the
fashion pavilion. "We are tax-paying citizens. We
should be able to stand here wearing this! I think it
is a great expression of our freedom of speech and of
democracy, really!" Michael is a friend of Apollo,
shares a lot of his views and owns and wears 3 or 4 of
his T-shirts. "Apollo takes normal trends and
de-constructs them. He is a little bit ahead of normal
trends. When I am wearing his stuff, I feel like I am
not a part of a fad!"







All the pink men were also wearing a yellow star of
David with "Jude" written on it, a German word for
"Jew". Apollo explained the strong statement to the TV
reporters and surrounding crowds: "This was the star
that Jews were forced to wear by the Nazis and it used
to be a degrading symbol. However, I am a Jew and I
want to bring it back. I want to show that I am a Jew
and I am proud of being a Jew; I am not degraded!"





And, finally, the last symbol of Apollo's design, the
omni-present safety pin, has to pronounce its message
to the world at large through the mouth of its Master,
now sounding a little bit like a Rabbi: "I think that
all of life is attached together by simple safety
pins!"


(apollo braun)


All writings here are copyrighted by Antonio Goicochea and Galya Kovalyova. You may not use them without written permission but you may link to the posts or give out a link to the posts.

All Photographs here are copyrighted by Galya Kovalyova. You may not use them without written permission but you may link to the posts or give out a link to the posts.

If you enjoy the articles on this blog check out
cafepress.com/vegalifestyle

Tuesday, September 11, 2007

Liset Castillo opening reception @ Black and White Gallery in Chelsea (September 7th 2007)

Pristine and brightly lit Black and White Gallery in
Chelsea is currently opening a colorful solo exhibit
of young Cuban artist Liset Castillo. "Pain Is
Universal But So Is Hope" is the title of the
exposition and hope definitely infiltrates the air
through a strong presence of a large rainbow sculpture.
Constructed of 400 varnished, hollow square
wooden blocks in primary colors, the rainbow purveys a
joyful childhood feeling and can be observed
multi-dimensionally, as well as inside out. It is a
pleasure to see serious art buyers peeking through the
rainbow at different angles, succumbing to the joy of
pure color.









However, the rainbow is present to counterbalance the
difficult transformation of civilizations, recreated
in sand and captured by Ms. Castillo on eight large,
70x92 C-prints, each set against the background of one
the rainbow colors. "Liset is a sculptor whose medium
is sand, like Joseph Du Bois' medium of expression was
felt and Matthew Barney's is Vaseline," says Tayana
Okshteyn, the owner and director of the gallery. "Sand
is a material very rich in meaning. It is the cement
that holds everything together, which is in the
binding material of civilizations, but it is also the
epitome of destruction. Photography here is just the
means to capture the essence of sculpture in material
that is ephemeral in nature, just as the human
constructions it is recreating." Immediately the
doomed idealism of
sand castles and the continuous struggle for survival
of Kobo Abe's "Woman in The Dunes" come to mind.













Briefly captured in sand is a series of creation and
destruction of historical landmarks across time and
civilizations, merging together and collapsing against
each other in a common whirlwind of transformation.
One hears exclamations like "Oh, I recognize
something, this looks like a coliseum." These
representations of civilization are something everyone
can relate to as they are known from school and media
way before they are seen in real life. The Pyramids
are mashed in with
the orthodox churches and with the arches of
McDonald's M, which holds as much territory in the
modern world. The last image is that of a sand crane,
the ultimate symbol of destruction and re-building, of
change, that is forever present in everyone's mind's
eye. Yet, over this sad corrosion is the binding
realization of common fate and the peace of the
rainbow after the storm. The sculptural landscape
shown on the photo prints took 5 months to create, using
only sand water and spray glue, destroying and
re-defining every element to show progression, a
process synonymous to the larger scale progression it
reveals.







"Liset is a very serious artist." Ms. Okshteyn adds.
"We have been working together for the past two years.
The first show she had in our gallery is now on
exhibit in the Brooklyn Museum of Art. Her work is always
different, but you always know that you can expect a
lot from her because she is so professional. Her work
is very rich in symbolism and meaning; and it is the
meaning and symbols that I share and agree
with." Ms. Castillo has been a recipient of numerous
awards and fellowships, including the Guggenheim
Fellowship.



(Liset Castillo)

Shortly after the opening the artist herself arrives,
fashionably dressed, with a large yellow flower in her
hair, followed by a large group of young, fun friends
speaking a variety of languages. "Did you know about
my opening or did you arrive here by accident," Liset
asks and it takes me a moment to understand that I
have already met her in my local Williamsburg Post
Office, overwhelmed, just like me, by the heat and the
length of the line. "Your story should start with 'I
once met a beautiful Cuban woman in the Post office,'"
she says and I hide my pride for the fact that any
waiting soul in line to ship mail in Williamsburg can
turn out to be an amazing artist.







All writings here are copyrighted by Antonio Goicochea and Galya Kovalyova. You may not use them without written permission but you may link to the posts or give out a link to the posts.

All Photographs here are copyrighted by Galya Kovalyova. You may not use them without written permission but you may link to the posts or give out a link to the posts.

If you enjoy the articles on this blog check out
cafepress.com/vegalifestyle